The Cinq incantations pour flûte seule by André Jolivet are the obviously serve to further Jolivet’s aims of creating a ‘magic spell’: repetition. Beyond incantation: paths to the interpretation of André Jolivet’s Sonata for flute and piano. Masters Research thesis, Melbourne Conservatorium of Music, The. Check out André Jolivet, Incantations, Music for flute by Eline van Esch on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on .
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Andre Jolivet – André Jolivet: Incantations – Music for Flute (2007)
It represents his creativity, anguish, sorrow and hope. It was better to achieve this result that I chose the flute which is the musical instrument par excellence because, endowed with life by the breath, man’s deepest emanation, the flute charges sounds with what is both visceral and cosmic in us. It is never a joluvet of oriental music nor a reference to the music of so-called primitive peoples.
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It is fascinating, magical music, expressive and virtuose, profound and noble, described by the composer as follows:.
Incantations (5) for flute | Details | AllMusic
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In when I wrote Cinq Incantations for solo flute, I wanted to state the prime importance of the monodic element in music, i. Let’s connect Contact Details Facebook Twitter.
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If you have persistent cookies enabled as well, then we will be able to remember you across browser restarts and computer reboots. The titles indicate the magical appropriation of each Incantation and their form arises from this appropriation. In jolivef fifth the repetition, three times, of the introductory figure and the concluding statement has a special feature – in these repetitions added sounds increase the vitality which speeds up the listener’s psycho-physiological impulses.
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His mother died on the 19th of Junea few weeks before he began to compose Incantations. The only purpose, however, of the carefully measured combinations of these different elements is to generate musical feeling and, in the most sensitive or the “newest” listeners, a feeling similar to the panic impulses of primitive man. Repetition no doubt plays a vital part, as it does in any other operation of a magical kind, particularly in the first and third incantations.
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