Towards the end of his life, Grisey had rejected spectralism as a meaningful concept. Yet the six works that make up Les Espaces Acoustiques. To not compose any more with notes, but sounds,” wrote Grisey in the prologue to Les Espaces Acoustiques. GÈRARD GRISEY: Les Espaces Acoustiques. Catalogue No.: KAI. EAN Code: Artist(s). WDR Sinfonieorchester Köln, Stefan Asbury.

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Through his spectral analyses, Grisey uncovered the dramatic tensions at the centre of apparently stable sounds, drawing out the natural dissonances that lie buried within. Grisey found his solution — and the basis of spectral music — quite by accident.

During the same year, Grisey went to Berlin as a guest of the D. The recording below has been removed from YouTube.

Gérard Grisey – Wikipedia

Below is a recording of Les espaces acoustiques accompanied by a brief listening guide. Reblogged this on Perverse Egalitarianism and commented: Part scientific analysis, part mystical exploration of aural sensuality, Les espaces acoustiques simultaneously deconstructs espacss of the nature of music whilst remaining firmly rooted in the physical, vibrational qualities of sound itself.

He studied at the Trossingen Conservatory in Germany from to Anon. Threads collapsed expanded unthreaded.

In the opening passage, the static, pulsating mass of sound occasionally threatens to erupt as the rasping trombone cuts through the soundscape. July 20, at This is experienced in its glistening chords and unfathomable plunges from the highest registers to the lowest, its whirling intensity and pools of ritualised stillness, as well as in acoustiqued occasional moment of utter simplicity, such as in the almost wistful theme with which the viola begins the Prologue.

The central section from 4: This latter quality is key: By continuing to girsey this website, you agree to their use.


He expressed the opinion that: Please note that this is a different recording so the timings below will no longer correspond exactly with the performance. From Wikipedia, the free encyclopedia. Grisey won the highly coveted Prix de Romeenabling him to stay at the Villa Medici in Rome from to Anderson How, then, Grisey asked himself, to reintroduce dynamism into this post-tonal material?

Les Espaces Acoustiques by Gérard Grisey

Leave a Reply Cancel reply Enter your comment here But where many of those imitators got caught up in the academic business of composing ever more complicated spectral chords, often lacking is the dramatic sense Grisey possessed. In his teens Grisey considered becoming a composer as nothing less than a God-given vocation. After studies esoaces the Hohner Academy in Trossingen, he entered the Paris Conservatoire, where he won all the main prizes, wcoustiques by a period at the Villa Medici and further studies in acoustics.

He won prizes for piano accompaniment, harmony, counterpoint, fugue, and composition at the Conservatoire under Messiaen’s guidance Anon. By using this acoustiqques, you agree to the Terms of Use and Privacy Policy. Cage 1Gerhard Richter by Thomas May. This religious element aside, it is striking, when we read his student journal entries preserved at the Paul Sacher Foundation, where I studied themhow presciently he saw the musical style he would go on to create.

Create a free website or blog at WordPress. Loading comments… Trouble loading? In addition, he was fascinated by musical processes which unfold slowly, and he made musical time a major element of many of his pieces. October 12, at 4: Towards the end of his life, Grisey had rejected spectralism as a meaningful concept.

It grrisey how the overtone structure of a single sound, its spectrum, with all its harmonic and microtonal implications, could form the basis for an entire work. Grisey’s music is often considered to belong to the genre of spectral musicwhich he is credited with founding along with fellow composer Tristan Murailalthough he later disowned the label in interviews and writings. As the cycle goes on, the number of musicians involved in each piece increases steadily, until the last two works, Transitoires and an Epilogue which, unlike the preceding works, cannot be performed on its own involve a large orchestra.


First lecture at the Darmstadt Summer Courses, telling his listeners about a new musical movement afoot in Paris. Retrieved from ” grizey Notify me of new comments via email. Another long-term project of Grisey’s later years was to write music for solo voice.

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Les espaces acoustiques, Gérard Grisey | Articulate Silences

An accordion virtuoso in his teens ranked as one of the best accordionists in the worldhe also excelled at school, and his Marianist education left him with a devout Catholic faith up till his early 20s.

Listen out for the lilting series of arpeggios acoustisues at 3: In this sense, Les espaces acoustiques reaches far beyond the superficialities of its compositional ingenuity: List of music students by teacher: A sparse solo for viola, this movement hints at the timbral richness of the remainder of the piece as the instrument traverses a variety of sonorities.

You are commenting using your Twitter account. You are commenting using your WordPress. Fill in your details below or click an icon to espacea in: The cycle begins with a Prologue for a single instrument, a viola.