Page 1. Page 2. Page 3. Page 4. Page 5. Page 6. Page 7. Page 8. Page 9. Page Page Page Page Page Page Page Page Page Telemann Fantasias: a feat of ingenuity and inspiration examples for flute such as Schickhardt’s L’Alphabet de la Musique, twenty-four sonatas in all major. ANTÔNIO CARLOS PORTELA DA SILVA first three of Telemann’s 12 Fantasias for Solo Flute. . ii) Revised edition of Telemann Fantasias 1, 2 and 3.

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Telemann deliberately avoided keys that are impractical on the one-key flute, i.

12 Fantasias for Unaccompanied Viola | SHAR Music –

B major, C minor, F minor and F-sharp major. Not only did he write the music, but he personally engraved the plates as well, claiming he could complete nine or ten a day. Creative Commons Attribution-NonCommercial 4.

By using this site, you agree to the Terms of Use and Privacy Policy. Telemann’s solo flute fantasias are alone in the Baroque repertoire to include movements seemingly impossible on flute: Many of his publications came out in weekly or monthly installments, encouraging the public to continue buying until the particular work they wanted was complete. July Total duration: But Its potential as a solo instrument was quickly realised and the first publication of solo music came in in Venice.

Having six strings and later seven and tuned in the same way as the lute gives the instrument the ability to express both lyrical melody and harmony with chords, and many composers sought to fanatsias both elements. It was developed fangasias the vihuela, an ancestor also of the guitar, in Spain in the last part of fifteenth century, and came to Italy in with the election of the second of the Borgia popes, Alexander VI.


Editor Barthold Kuijken In other projects Wikimedia Commons. This page was last edited on 9 Novemberat Emmanuel Pahudflute [5]. So this tells us that there were many extremely competent amateur viol players in the German-speaking world and beyond. They may not be public domain elsewhere.

12 Fantasias for Solo Violin (Telemann) – Wikipedia

An extant copy of the publication, conserved in Brussels, has a spurious title page reading Fantasie per il Violino fantasuas Basso Fantasias for Solo Violin.

His facility in writing idiomatic instrumental music for almost all instruments then in use was legendary, and we can hear that clearly in his writing for the viol in these fantasias.

December Learn how and when to remove this template message. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. There are two ways to view the overall structure of the collection: Hence, the edition is public domain in its country of origin or a government publication.

Telemann, Georg Philipp – Twelve Fantasias – for Viola – arranged by Alan Arnold – Viola World

Part of his fame came from being his own publisher, and an inventive and enterprising one at that. It is one of Telemann’s collections of music for unaccompanied instruments, the others being twelve fantasias for solo flute and thirty-six for solo harpsichord that were published in Hamburg in —33, as well as a set of twelve fantasias for solo viola da gamba that was published in the same city inbut were considered lost until a copy of the print telemsnn found in a private collection in by viola da gamba player and musicologist Thomas Fritzsch.


Inan arrangement for viola solo was published by Euprint. Much of the music reveals the influence of Italian sonatas and concertos, but the typical tendency of German solo violin music to rely on polyphony is still present: The collection is arranged by keyprogressing more or less stepwise from Fantasiaa major to G minor.

This page was last edited on 22 Julyat Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

This article needs additional citations for verification. Composer Time Period Comp. He exploits the character and the ed of each key, using more chords in the home keys—G, D, C and so on—and employing a more melodic style in those more remote keys. Please obey the copyright laws of your country. In the s, he became very interested in the possibilities of writing for a solo instrument without any bass. Retrieved from ” https: Telemann has a reputation—and an oddly negative one—for being almost pathologically gantasias.

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